“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
Canadian producer and multi-instrumentalist galvanizes bowed guitars, cellos, and synths into an off-kilter exploration of heat and desire. Bandcamp New & Notable Feb 25, 2024
Disappear into the shadowy dark ambient on the latest from Carlos Ferreira, each track texturally rich & absorbing. Bandcamp New & Notable Nov 11, 2023
The punkest shit I've heard in a minute and barely a guitar is power-chorded. This is punk the same way Suicide or Liz Phair were punk, with unnerving keyboard noise, unlearnt rhythms, mope drones and, oh, that emotionally raw-as-hell voice! Lars Gotrich